![]() This effect is part of the trademark sound of many guitar players, from Brian May of Queen to Blind Guardian's guitarist Andrè Olbrich. This effect is often used to process vocals or guitar, and it can be set at a certain scale related with the original sound, or midi-driven, and in this case it can change its scale at a pre-programmed moment. Harmonizer: this is a very particular type of pitch shifting (sometimes it's called intelligent pitch shifter), in which the effect creates a synth copy of the original sound that respects a certain harmonic distance (for example a third major, or a fifth minor.). This produces a deeper and more "bassy" sound, like the one that can be heard on Led Zeppelin's song " Fool in The Rain" guitar solo.Ī particular type of Pitch Shifter that not only works with the octaves, but that alters the sound's pitch widely, even of many octaves, it's the Digitech Whammy pedal, often used by Rage Against the Machine guitarist Tom Morello. Octave: this one's much easier to explain, it consists into analyzing the input sound and creating a synth copy or more, one octave or more lower. Let's make an example: we put on a ring modulator two sounds: the sound of our voice and the sound of a guitar, the effect is like the guitar is "talking" to us, because the effect won't let out the single sounds, but just the "interaction" between them (e.g. Ring Modulator: This effect is a sibiling of Tremolo, which, instead of having its amplitude rhitmically altered, it uses a copy of the sound itself very altered, or another sound. This is the fifth article about modulation effects, and today we're going to talk about ring modulator, octave and harmonizer! Included are some presets that run through the capabilities of the plug-in.Hello and welcome to this week's article! This plug-in has the capability to easily reproduce this mod, by adjusting only a few parameters. Many users of the Boss OC-2 pedal seek to add a hardware modification that disables the output filter and dynamics sections in order to produce a more synth-like tone.“Listen” radio buttons allow the user to tap the audio at any stage to hear what’s happening behind the scenes, and bypass certain sections if desired.Includes a “tuning” control to affect the zoom ratio. A scope displays both the key signal and the output signal, so the use can see how the plug-in is operating, and help identify what controls need to be adjusted in order to track more accurately or produce the intended sound.A DC-offset switch corrects the input signal to improve tracking on rectified or offset signals.In phase-multiplier mode, the full dynamics of the key signal are retained. In additive mode, dynamics for the oscillators can be controlled either by a noise gate or an envelope follower, both keyed off the input signal.The additive mode simply mixes in the octave down signals (via user-adjustable levels and wet/dry balance), whereas the phase-multiplier mode flips the phase of the key signal, following the state of the selected oscillator. Option for two modes of operation: additive oscillators or phase-multiplier.Both on oscillator outputs (changes tone from full square wave to pure sine, or anywhere in between) as well as on the detection circuit (which can fine-tune the accuracy of the octave-divider’s tracking).Controls to all the typically fixed values for low-pass filters. ![]() It’s unique from the Boss and other pedals, and other octaver plug-ins, in that it offers: It’s based on the popular Boss OC-2 pedal, but with many more features and customizability far beyond what other octavers offer. OC-D2 is an octaver plug-in that generates a signal one and/or two octaves below the original.
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